Tagged: art

Daydream

ink daydream

Question, Answer
Automatic response.
Eyes closed, breathe deep
Feigned nonchalance.

Ashamed confusion, deflect
Look askance instead.
Self-absolved, no duty to try
Intellectual curiosity is dead.

Autopilot, flapping jaw
Blabbing to a wall
Deaf ears, blind eyes
Why am I here at all?

Absent reciprocity
Wasted creativity
Disinterest plus passivity
Birth of escape fantasy

69 Thunderbird
Hubby at the wheel
Elope to the absurd
To where words pay for meals.

Transfer

Energy, swirling and bubbling, slishing and sloshing, through our bodies. We touch something, which sends a reverberation that radiates outward, to continue its neverending run.

 

Tense energy, swirling, sloshing, through my body. My words touch everyone around me: cold, negative. Eyes and bodies shift, as does something inside me. My inner discomfort has overflowed, and I’ve transferred it to those around me.

Fear, tension, nerves, stress. There’s always something.

Life has showed me that there will always be something. Swirling inside my brain, there will always be some dark shadow that threatens to stands between me and my entourage. I can’t accept that.

I sit down to write. Difficult and uncomfortable at first, it soon feels like I’m scratching a deep internal itch. A soul itch. (Sitch?) The sloshing, watery shadow starts to find equilibrium. Give it some time to flow through my fingertips and transfer onto the screen, in a controlled release of creative energy.

 

A reminder that I shouldn’t stay away for too long.

 

abstract discomfort

abstract discomfort

 

Steady

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(4)

Tense aggression in the heat of frustration. What to do? My body can’t take this explosion of anger, I’ve got to have a physical outlet. Stupid Barbie, why don’t you do what I want? I hate you. Bite, clench hard. Quickly take a look. It’s all bent. Why did I do that? Now she’s ruined.

She still lives in a large plastic bin of forgotten toys in a basement, frozen smile, frizzy hair, and deformed hand.

 

(12)

School bus. Meekness puts me on the radar, makes me a target.

Get out of my space, get away from me…

Through my geeky spectacles, I’m seeing red. I wish I wasn’t alone on this bus, I wish I had a forcefield of friends to protect me. Body recoils, hotly tense. I hate you. I want your ugly, mocking smile to go away. My fist jumps out like a snake from the bushes, and connects with a hollow thunk. The bully facade crumbles to give a glimpse of his true face: a confused pre-teen boy who desperately needs to be cool.

I escape from the school bus, and soon after I notice small rocks dancing at my feet. Turn around, and he and his friend are throwing their parents’ decorative landscaping pebbles at me. Very tough indeed. I speed-walk home, tail between my legs.

 

(16)

I’ve learned that “no” is a question of interpretation. “Leave me alone” communicates an invitation for more undesired attention. My pathetic defenses have been exhausted. There’s a key to surviving here that I just don’t have. Why don’t I have it; how do I get out of this?

In class. Day after day, explicit sinister whispers chip away at me. I wish I could take my skin off and disappear. One after another, ugly comments meant to do what? Wear me down, violate my comfort; I’m tired of it. What did I do to deserve it? Tension, heart is boiling again. Stop fucking with me. I didn’t ask for this.

Teacher leaves room, and I can liberate the Me that lives inside, vibrant and angry and electric. The current extends out from my hand, slices around to meet his face. Jaw wobble, sharp intake of air, now I’m tingling. I plaster on a smile, eyes forward, like a good little scholarly robot-mannequin.

 

(30)

A student is going on the offensive; they’ve taken constructive criticism personally, which has led to aggression; at least, that’s what it feels like.

Needles in my skin, chest is hot. Voice and hands want to tremble.

I’ve given my professional opinion, and this poor sap feels the need to retaliate, and turn to the typical cheap ploy of ping-ponging their insecurity back onto me. I’m not having it. This time, I’ve got a full arsenal of words at my disposal. With firm professional efficacy, I defend my position and steer this person out of my space.

 

Same internal response.
Different course of action.
Growth.

Mortify

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Onstage, seated cross-legged in front of a full audience.  I paint on my most charming smile, and begin speaking into the mic.  In the midst of the first wave of applause, I realize:  my script is missing.  The auditorium hushes, and I’m nervously fluttering through my binders.  I hear spectators growing restless, shifting from one buttcheek to the other in their seats, and I’m feeling panicked.  I look over my shoulder, and am sickened to see that offstage, she’s got my script.  Smiling, her face says, “How you like me now?”
I wake up with the same tight stomach.
§
Mortification is a word that’s followed me closely in my journey through life, like a pathetically faithful three-legged dog with fleas.
§
I think back to my first teaching job, and the little black nob protruding from the ceiling in every classroom:  CCTV.
I knew that classes were recorded, for evaluation purposes…  it wasn’t until a couple years in, that I realized everything was being recorded.  Whether there was a class or not, the cameras were rolling.  I instinctively cringe recalling the things I did while on camera.

I broke down crying at my desk before class.

I shook my booty to reggaeton music.

I bit my nails.

I had private telephone conversations.

I did unladylike things.

Those shining moments were captured, in addition to my horrific first forays into teaching:  kids scribbling on the walls, scooting around the classroom, slinging various objects, and stupefied Me in the eye of the pandemonium, pulling my hair out.

I can imagine the wide-eyed bewildered look of whatthef*ck on my supervisors’ faces when they sat down to replay and evaluate my classes.  I imagine they learned much more about me than they bargained for.
Now, looking back on that time, I wonder if there wasn’t a shred of pity in their eyes when they spoke to me.
I shudder, and come zooming back to the Present.  I could chastise myself for ever being that foolish.  But, knowing that Mortification will eventually come back to me, I prefer to laugh at myself.  It may not be pleasant, but it’s there to teach me a lesson.

Draw

I remember the last time I drew as a child before giving up. My parents had given me a deluxe art set for my birthday: markers, watercolors, pencils… it was a glorious art set that packed up nicely into a wooden briefcase. Perhaps I believed that this art set would instantaneously imbue me with talent. I decided to attempt to draw one of my mom’s retro cooking pots with flowers on the side. It came out lopsided and just all wrong. I was disappointed in myself and disgusted at the hideous blob I had created. I wanted so badly to be good, to have proof of my talent. Instead, I was glaring at empirical proof that I sucked. That was the moment that art didn’t feel free anymore. I didn’t deserve that art set, and I would do well to forget the whole thing. I left the briefcase in the basement to collect dust.

Fast forward to Seoul, circa 2010

I’m walking in Hongdae, the young, hip, artsy neighborhood. Streets are chock-full of funky cafés, cheap restaurants, art galleries, and clothing shops. At this time, I’m feeling deeply lonely and generally lost.

I enjoy the atmosphere of this neighborhood, so I find myself here often. I don’t know what else to do with myself, and so I go walking. I just walk for hours on end. Fall is just thinking about getting started, and the bright warm sun feels nice, while the air has a crisp snap to it.

I notice a small, dusty art supply shop. There are no lights on inside, and the sunlight transmutes through the front window to cast everything in a gray-gold soft focus. They’re going out of business, and there’s not much selection left, but that paper, those pencils, the pastels… they smell wonderful. I end up buying a thin sketch pad and the few pencils remaining: moss green, dusty yellow, and a soft graphite pencil with eraser. A few hundred meters away is the little park where children and parents play in the morning, under the blurred watchful eyes of the occasional homeless person. In the afternoons, students sit in the park to smoke cigarettes and drink beer after class. On weekend evenings, young Western foreigners come along to drink, while wannabe deejays plug in their iPhones and use an app to simulate the art of the turntables. Nobody cares.

On this golden lonely afternoon, there are just a few people in the park. I plonk myself down and start drawing again, for the first time in I don’t know how long. I’m surprised at how good it feels. The lonely melancholy in my stomach is mitigated. I’m scratching an itch that I didn’t realize I had. I’m drawing trees and flowers, and soon I’m approached by a woozy bleary-eyed Korean woman. She asks to see my drawing, and I oblige. She turns to the next page, asks for my pencil, then starts sweeping the page with large haphazard swipes. She sweeps and swipes, then finally adds two details, eyes and a nose, and suddenly the picture is coherent: she’s drawn a woman with long hair and robes. The woman hands me back my drawing pad and shuffles away, wishing me a good afternoon. I’m a bit stunned as I wish her the same.

I realize drawing just feels right.