“I’m afraid of being made fun of.”
How many times have my students confided this fear in me? Ashamed to struggle, flustered at their mistakes, looking like they want to disappear.
I wonder, What’s the big deal?
Since when do strangers’ opinions matter? Why are we so ready to give away our confidence to imaginary people who fictionally criticize us?
This mentality seems to speak to the greater idea that unless you’re going to be great at something, it’s not worth trying. Anything less than excellence is insufficient. You run the risk of entering the annals of history as a Failure.
Is our sense of self-importance that inflated, that our failures, never mind our very existences, will be remembered for more than 5 nanoseconds?
Push the logic a bit further, and it falls to pieces.
I screw up, forget things, commit acts of thoughtlessness.
I have a funny accent when I speak foreign languages.
I’m sure my lipstick is never smooth and flawless.
I trip over my feet, my skirts ride up, I get parsley in my teeth.
At times, I have no idea what to say. I get testy on occasion.
I ruin recipes and often write what I think is garbage.
So what? We all do.
Criticism from one person is fleeting. As is the embarrassment of screwing up.
More than fictional criticism that hasn’t happened yet, we should be afraid of leaving this world with regret in our hearts, at not having tried.
Let’s get over ourselves, and just do it.
I wake up to the sound of the wind screaming outside. I’m breathing heavily from the nightmare I’ve just been freed from. The window shade is rattling, and my windows are creaking.
The wind moans over the sound of the grains in my bread crackling in the toaster. It haunts me as I get dressed and zip up my boots. As strong as the wind is now, it’s nothing compared to what I’ll meet on the walk to the station.
I carefully tie my hair and scarf to keep them under control, and my resolve is firm when I turn the key to lock my door. No turning back now.
I ascend the hill near my sheep buddies, and their matted wool and stoic gazes are unmoving in this tempest. Spindly branches whip above my head, and I skirt quickly away from the groaning trees.
My usually peaceful country path is now unfamiliar in its aggression. The wind is so powerful, I can’t walk straight, and I fear it’ll rip my contact lenses straight out of my eyes. Wincing into each step, I hear nothing but howling in my ears.
Nothing but howling?
I can fix that.
I start singing. Each gust threatens to cut off my breath, but I can’t miss this perfect opportunity to belt out some great disco hits. This is a walk from hell, but I can either bitch and moan into the breeze, or smile and sing into it. The latter is way more fun.
I imagine a winegrower sipping his morning coffee, further down in the valley, catching the tune as it’s carried over on a strong gust. He taps his foot and hums along, in harmony with my vocals. The wind screams for an encore. I take a bow, board my train, and leave it wanting more.
Memories, circa 1995.
I had an “overactive imagination” that fed ravenously on anything mysterious or taboo.
I was morbidly fascinated by the true-crime and conspiracy programs my dad would watch late at night. I’d sneak out of bed and get a peek of the television; wide-eyed, I’d take mental notes about potential warning signs: creepy white guys and alien tracks were at the top of my list. Did you know that a distinctive stone is produced in the spot where an alien falls to the ground?
(I just tried Googling “alien leaves stone on ground where it falls on its butt” to find the original clip on Youtube. No luck.)
I would get a cold thrill when I heard the dramatic music of America’s Most Wanted. John Walsh’s composed newscaster-like persona told sinister murder stories with a detached, factual demeanor that totally creeped me out. I was haunted by the composite sketches and mugshots they’d display at the end of every dramatized murder re-enactment.
Immediately thereafter, I’d run to the bay window overlooking our front yard and rip open the heavy curtains to look outside. All I would see was the same orange streetlight glow reflecting off car windshields. Quiet suburbia. A little too quiet, if you asked me.
Thus was born the conspiracy-driven investigative fixation of my childhood.
I was ever-vigilant, on the lookout for crazed murderers in our suburban cul-de-sac. I also set intricate traps in my bedroom to thwart potential extra-terrestrial room invaders. Webs of yarn strung like a spiderweb, marbles on the carpet to make an intruder slip and fall, my toys placed with painstaking precision so I’d spot any slight disturbance or irregularity in their arrangement. The only intruders I ever caught were my poor parents trying to tuck me in.
Fast-forward to adulthood.
I’m a notorious fraidy cat. I don’t enjoy watching horror films, or any media with extreme, graphic violence. However, I’m still fascinated by grisly stories, true-crime cases, and creepy unsolved mysteries.
Hearing a true scary story around a campfire is way creepier than watching fictional dramatized storytelling on a big screen. A mental image is vibrant enough, and even more terrifying than someone’s attempt to visualize a “scary” image. Our imagination fills in the dark cracks with those terribly personal innermost fears, those secret things that take hold of us in our nightmares. Our own intimate fear triggers that make our pulse quicken and give us chills when we’re alone in the dark of night.
As for me, I don’t set alien traps or supervise neighborhood surveillance anymore. But I always lock my doors, keep my eyes open, and take an extra cautionary peek over my shoulder. Just in case.