Tagged: lost

Lipstick

lipstick pig

Comedy film. A bumbling dad-type slips on a banana peel, falls onto a skateboard which sends him careening downhill. The skateboard hits a rock, sending him flying in the air, arms pinwheeling. He flies straight into the red mouth of an active volcano, screaming his cartoonish, wacky scream all the while. The volcano emits a plume of smoke and a burp. This is where you’re supposed to laugh.

I hate that cartoonish, wacky screaming.

Same goes for laugh tracks, and dramatic music that tells you how to feel.

Advertising campaigns that use bright colors and catchy jingles to get you in the door.

Salesmen with plastic smiles, slick hair, and flowery well-practiced pitches.

Cheap gimmicks whose sole purpose is to delude you into believing the narrative is worth listening to, laughing at, buying. Wink-wink, nudge-nudge.

I’m disgusted by it all.

If your movie sucks, don’t try to convince me it’s funny. If you can’t let the facts speak for themselves without wiggling your eyebrows and forcing a pained, constipated smile, then you’re selling snake oil. I’m not in the market to buy things I don’t need.

The more razzle-dazzle there is, the more suspicious I find it.

 

And yet…

I stew in the hot shame of my own hypocrisy. I’ve made shitty jokes to try and lighten the atmosphere. I’ve laughed harder than necessary at stupidity, ringing hollow in my ears. I’ve made desperate attempts at humor to disguise burning insecurity. I’m only human, fumbling along with the same transparent bravado of a 19-year-old strolling into a liquor store, pretending I belong here. All to cover up my “gee-golly-gosh” bashfulness. To disguise the fact that, really, I just want to rip my skin off and dance alone, howling at the moon.

I’ve smiled and listened to the sales pitches, annoyed at the fact that I do indeed need to buy what this clown is selling.

There will always be pigs: stinky, dirty, naked, ugly truths we’ve got to deal with. I want to see the pig as it is, in all its offensive, unruly stinkiness, front and center. No ruses, no cover-ups. But out there, in the world, sometimes you have to make an effort. Some people prefer their pigs to wear lipstick. It gussies up the boorishness, makes it more presentable. Some smear the lipstick on unconsciously and automatically. And sometimes, the pig is easier to deal with that way.

And if I have to follow suit and smear on the rouge to get through the day, then so be it. But for the record: I wish I didn’t have to.

Now if you’ll excuse me, I’ve got a few kicking, screaming swine here that need tending to.

In/coherent

oilspill

oilspill

 

Seemingly opposing variables get muddied together, but I want them to stand alone, distinct, clear.

I’m getting vertigo, trying to make sense of incoherencies, those things that are intangibly mutating. I’m repulsed, alarmed by that which is illogical.

It’s unsettling to admit that I only know what feels good, and what doesn’t.


 

I’m walking downtown, foggy-headed, untethered.

 

Busy-minded people blur by. I look down at the ground as I walk. I can’t bear to meet people’s eyes, to see the endless parade of the same vacant gaze.

The ground is littered with their filth. Cigarette butts tossed away and stomped underfoot, like all our dirty secrets. Forgotten scraps of paper, napkins kissed with lipstick. Styrofoam pellets that will outlive us all.

Just ahead, a parked motorbike jumps to life, revving its ugly whine. After it pulls away, I pause in front of its former resting place. Spilled oil is smeared all over the sidewalk, from it and many others like it.

I’m surprised to find it beautiful.

Variables align into one clear moment that pierces through the blur.

This feels good.


Through the fog, brilliant moments still make their way in.

They always do.

 

Parachute

What would it be like to peel each of these layers off?
Give form to that which is heavy and intangible.
Pull apart the seams, fashion each piece into a parachute.
Hold on tight and jump off that cliff
That’s always been in my periphery
Impartial, mysterious, seductive.

If I choose to jump and be reborn, then will I be free?

Snapshot: Interrupted

Rumbling vibrato in my throat is my beat in the morning cloud of traffic, audible only to me.  I’m having a grand ol’ time, heels clicking in time with my funky vocal stylings.  I’m killing it.

“Left a good job in the city…Working for the man every night and day…”

I’m groovin’ now, get a little shoulder action in there.

“Big wheels keep on turning–“

Screeching wheels, screaming horn, urgent dinging explode behind me.  A tram is gliding on a collision course with a pedestrian.

The man is a zombie with earphones, gliding coolly in the spotlight of the tram’s headlights.  The tram is still moving, and he isn’t reacting.

I shriek an expletive over my shoulder and recoil, convinced this is the Nightmare Moment.  Morbid curiosity holds my gaze to the scene.

The tram’s nose has halted, narrowly missing the zombie’s legs.  No reaction whatever; he has no idea that he almost met his maker.

Passersby look askance at me for standing in the sidewalk, taking up space.  I’m part of the morning pedestrian traffic flow, how dare I deviate?

My boots click more irregularly now, and my voice is caught in the hollow of my throat.    False notes squeak out:  “Proud Mary keep on burnin’…”

And then there is no more music.  I’ve been smacked back into reality.  My eyes start burning, and I am silent the rest of the way to work.

What the hell is wrong with us?

 

Release

This piece is my follow-up to “Under Pressure,” featured as a guest post on J.A. Allen’s fabulous blog.


 

A very efficient woman buzzes around me, her motherly gray bangs swaying with every maneuver. “Considering your age, we’re going to perform the scan, as well as an ultrasound.” You’d think she was twittering around the kitchen, baking cookies for her grandkids. Instead, she’s buffing the space-age machine that towers imposingly over us. High technology that cows me into submission. My kaleidoscopic internal world is irrelevant in this sterile, colorless examination room.

I’m standing topless, hands behind my back. A mannequin with foldable, poseable limbs. Expert hands guide the lead apron across my lower body. She manipulates me, tucking my breasts between the plates. The top plate is transparent, and she sends it down with a tap of her foot. My glands, impossibly flat.

No joy, sensuality, life. Still youthful and pert, they haven’t yet known the searching mouth of a suckling baby. They’ve never produced milk, never given life. Under this fluorescent light, they’re no longer fleshly beautiful symbols of my femininity or fertility.  Here, they’re just a piece of meat, in a clinical setting. Like a sample in a petri dish, ready for fastidious, detached scientific observation.

Next room, another machine. Doctor enters. Arms up, supine. The ultrasound wand glides over my sore mountains. He stares at the screen, and I twist my neck up to watch along. He pauses at the sight of each furry black cloud. Two clicks measure them. Glide, click-click.

“You have benign cysts. It’s common, one in three women has them. They may get inflamed and sore, so we’ll keep an eye on them. There is nothing cancerous here.”

He wishes me a good-day, and doesn’t even shake my hand. I suppose it’s not medical protocol to shake a patient’s hand after you’ve prodded about and scrutinized the ins and outs of her funbags.

White coattails flap crisply out the door. I scrape the viscous gel off my chest and dress myself. Strange. Just beyond that door, I’m expected to observe a modicum of physical modesty, yet my rainbow voice can come back. Here, I am reticent in my nudity.

Back into the clean, fluorescent lobby, where I melt into a bucket chair. Vacant. Depleted.

The secretary mispronounces my name, and I answer anyway.

I take my charts, and the smile I give her feels awkwardly distorted.

I step out of the cool white clinic and back into the searing, chartreuse summer air. Breathe deep, hiccup. Sweet tears of relief. My weak protest mantra “I’m too young for this” that had marched so defiantly through my head has dissolved, overtaken by my mother’s insistent wisdom: “Check yourself regularly!”

I’m glad I listened.

Destabilize

I step into a baby clothing store on a whim, looking for a gift for a friend who’s just given birth. The shop is cheerful and whimsical, with a fluffy pastel cotton-candy interior. I’m a bit disoriented in this foreign world of cutesy teeny-tiny fashion.

Smelling fresh carrion, two black-clad saleswomen croak “Hello” and descend upon me. They bare their teeth into something resembling a smile.

One of them, an older woman with deep-set eyes, indicates the rack for newborns. I peruse the adorable clothing, realizing a simple onesie costs 55 euros…

I have no time to fake a polite exit before the dark-eyed woman re-materializes in a cloud of heavy perfume and the oppressive stink of 30 years’ worth of cigarettes and red wine. There’s something sinister about this husky-voiced woman with stingy hair and George Washington’s wooden teeth, cooing at me with a saccharine voice.

“How old did you say the baby was?”

“Uhm, about 2 months.”

“So it’s NOT a new baby then!”

“I guess not…”

“Et, c’est dans quel pays?”

My eyes narrow in confusion, and my mouth is parted–I’m breathing discreetly through my mouth.

Quel pays? What country? What kind of trick question is this?

“Pardon?”

She repeats herself, cartoonishly enunciating “Quel PAYS?” Her gray teeth stand out against the spackle caked on her face; she looks like a 20’s vaudeville clown.

“France.”

“No, no, no…” Her colleague joins in behind, and they are now both braying at me, in tandem: “Pays, pays, pays…”  All that’s missing here is an undead barbershop quartet to complete this ghastly spectacle.

What did I do to gain entry to this hellish dog and pony show?

“WHERE?”

“The south of France…?”

“Oh, voilà! You know, we only ask because every region’s weather is different, every season is different, which you must keep in mind when shopping…” Her smarmy response disgusts me, and their logic has me stumped.  I don’t belong here in this farce. I respond with logic that might speak to them:

“Well, this is a travelling baby. You know, the kind of baby that travels all over France with her parents, so any kind of clothing would be fine… At any rate, thanks very much for your help, have a great day!” I chirp and fly out of the store.

The air outside is heavy and oppressive, offering no relief from the burning that stings the back of my throat.  I feel foolish, destabilized, unsettled.  Despite their bizarrely condescending behavior, I still suspect the fault lies with me and my insufficient French.

It’s time to retreat home.  I’ll buy the gift another day.

Transfer

Energy, swirling and bubbling, slishing and sloshing, through our bodies. We touch something, which sends a reverberation that radiates outward, to continue its neverending run.

 

Tense energy, swirling, sloshing, through my body. My words touch everyone around me: cold, negative. Eyes and bodies shift, as does something inside me. My inner discomfort has overflowed, and I’ve transferred it to those around me.

Fear, tension, nerves, stress. There’s always something.

Life has showed me that there will always be something. Swirling inside my brain, there will always be some dark shadow that threatens to stands between me and my entourage. I can’t accept that.

I sit down to write. Difficult and uncomfortable at first, it soon feels like I’m scratching a deep internal itch. A soul itch. (Sitch?) The sloshing, watery shadow starts to find equilibrium. Give it some time to flow through my fingertips and transfer onto the screen, in a controlled release of creative energy.

 

A reminder that I shouldn’t stay away for too long.

 

abstract discomfort

abstract discomfort