Comedy film. A bumbling dad-type slips on a banana peel, falls onto a skateboard which sends him careening downhill. The skateboard hits a rock, sending him flying in the air, arms pinwheeling. He flies straight into the red mouth of an active volcano, screaming his cartoonish, wacky scream all the while. The volcano emits a plume of smoke and a burp. This is where you’re supposed to laugh.
I hate that cartoonish, wacky screaming.
Same goes for laugh tracks, and dramatic music that tells you how to feel.
Advertising campaigns that use bright colors and catchy jingles to get you in the door.
Salesmen with plastic smiles, slick hair, and flowery well-practiced pitches.
Cheap gimmicks whose sole purpose is to delude you into believing the narrative is worth listening to, laughing at, buying. Wink-wink, nudge-nudge.
I’m disgusted by it all.
If your movie sucks, don’t try to convince me it’s funny. If you can’t let the facts speak for themselves without wiggling your eyebrows and forcing a pained, constipated smile, then you’re selling snake oil. I’m not in the market to buy things I don’t need.
The more razzle-dazzle there is, the more suspicious I find it.
I stew in the hot shame of my own hypocrisy. I’ve made shitty jokes to try and lighten the atmosphere. I’ve laughed harder than necessary at stupidity, ringing hollow in my ears. I’ve made desperate attempts at humor to disguise burning insecurity. I’m only human, fumbling along with the same transparent bravado of a 19-year-old strolling into a liquor store, pretending I belong here. All to cover up my “gee-golly-gosh” bashfulness. To disguise the fact that, really, I just want to rip my skin off and dance alone, howling at the moon.
I’ve smiled and listened to the sales pitches, annoyed at the fact that I do indeed need to buy what this clown is selling.
There will always be pigs: stinky, dirty, naked, ugly truths we’ve got to deal with. I want to see the pig as it is, in all its offensive, unruly stinkiness, front and center. No ruses, no cover-ups. But out there, in the world, sometimes you have to make an effort. Some people prefer their pigs to wear lipstick. It gussies up the boorishness, makes it more presentable. Some smear the lipstick on unconsciously and automatically. And sometimes, the pig is easier to deal with that way.
And if I have to follow suit and smear on the rouge to get through the day, then so be it. But for the record: I wish I didn’t have to.
Now if you’ll excuse me, I’ve got a few kicking, screaming swine here that need tending to.
I’m looking at the goofy smirk of someone who’s delivered a burning comment, minimizing, derisive. Defiant whispers in my intimate classroom setting, being interrupted, receiving groupfuls of disgusted stares. Perhaps without realizing, my students can be decidedly unprofessional. Deers in headlights turn aggressive. “I don’t understand you” leads to uncomfortable feelings, and the instinct to deflect and lash out with a cutting remark.
I’m no stranger to the vulnerable insecurity that arises when your language is symbolically taken away. Suddenly confronted with the inner discord of translating a rainbow of thought into black-and-white, just to be understood. Not to mention that in France, classic pedagogy is infused with the idea that you can always do better, no matter how good you think you are. Liberté, Egalité, Critiquez. Make a mistake, and pay for it. The language classroom is no different.
Many of my students have lived the trauma of classroom humiliation at the hands of the all-powerful Teacher. Being shamed for the crime of being wrong, the hurt when classmates chimed in to further deride them. They’ve been trained not to ask questions, to expose a vulnerable moment. It’s easier to shut down. A common student response, be they 8, 18, 38, or even past retirement age.
Interactions with me can make ancient antagonistic feelings bubble up. I am seen as a critic, an insolent interloper, imposing my language–deemed simple, inferior, lacking nuance or artistic merit–onto my student. I become the symbol of their Old Rival.
English itself becomes a fetish object. Adored, yet feared. Necessary, yet despised. Simple, yet frustratingly irregular and nuanced. A language of countless verbs, a language of action. Not like French, a language of adjectives and lush description. English, a language that contains far more words than theirs, with double meanings and endless colloquialisms. Many don’t understand the true complexity of operating in a language where you cannot translate word-for-word.
In those moments of student frustration and corresponding contrarian response, I’m no longer speaking to an adult member of society, but to an insecure child, that lashes out with an antagonistic “I know what YOU are, but what am I?” This speaks to my inner child, who hates to be told what to do, is tired of people lording their authority to minimize and patronize me, to diminish my intellect, my language, my heritage.
No, I refuse. It does a disservice not only to myself, but to my student, if I am no longer present. My role is to facilitate, unblock, decode this system, to break it down into sensical, ordered, comfortably logical bits. Not to field proverbial spitballs. So I wait out the emotional hailstorm, extracting linguistic information.
Storm dies down. Move in, execute my grammar lesson, administer study tips and friendly goodbye’s. Deep breath.
If only they knew how often I must become the emotional bouncer, keeping out the riffraff.
Rumbling vibrato in my throat is my beat in the morning cloud of traffic, audible only to me. I’m having a grand ol’ time, heels clicking in time with my funky vocal stylings. I’m killing it.
“Left a good job in the city…Working for the man every night and day…”
I’m groovin’ now, get a little shoulder action in there.
“Big wheels keep on turning–“
Screeching wheels, screaming horn, urgent dinging explode behind me. A tram is gliding on a collision course with a pedestrian.
The man is a zombie with earphones, gliding coolly in the spotlight of the tram’s headlights. The tram is still moving, and he isn’t reacting.
I shriek an expletive over my shoulder and recoil, convinced this is the Nightmare Moment. Morbid curiosity holds my gaze to the scene.
The tram’s nose has halted, narrowly missing the zombie’s legs. No reaction whatever; he has no idea that he almost met his maker.
Passersby look askance at me for standing in the sidewalk, taking up space. I’m part of the morning pedestrian traffic flow, how dare I deviate?
My boots click more irregularly now, and my voice is caught in the hollow of my throat. False notes squeak out: “Proud Mary keep on burnin’…”
And then there is no more music. I’ve been smacked back into reality. My eyes start burning, and I am silent the rest of the way to work.
What the hell is wrong with us?
“Attention, all passengers for the 11:20 train for _____. Due to–”
A herd of elephants trumpets by.
“…we regret to inform you that there will be a significant delay. We apologize for the inconvenience.”
Bouncing into the information office, I see the usual old dogs at their post, along with one grizzled unfamiliar face.
“Hello! I’m meant to take the train at 11:20, but I didn’t catch the reason for the delay…?”
I try to speak as naturally as possible, but my accent gives me away. My French is like a dog wearing a hat: innocuously unnatural.
Tired, deliberate, his response lacks all pretense of social niceties:
It does not concern you.
Excuse me, but I have the impression that it was just announced.
It. Does not. Con-cern. You.
His tone adds, “Fucking foreigner.”
His stern face dully chastises me, through deep frown lines and a graying smoker’s pallor. Maybe he always talks to women like this. Maybe he’s sick and miserable, and needs to vomit his misery onto others. Maybe his dog just died, and his boss made him roll into work today anyway. Maybe his partner is terminally ill, and he’s angry at the world. Maybe he’s just a Grade-A asshole.
10,000 maybes, and it’s likely that not one is correct. Whatever the reason, it is irrelevant. I know I will meet him again, in countless other forms.
My friendly demeanor melts away, and with a bite in my voice, I thank him for the information and bid him good day. I resist the burning urge to flip him off as I turn on my heel and escape.
My logical mind is outraged: I’m not to be cowed by one passive-aggressive backhanded comment. What nerve he’s got, shirking social conventions of politeness! How dare he! A brute like that shan’t speak to me in such a ghastly manner! I’ve a mind to dress him down!
Someone tell that big talk to the pressure in my chest that’s feeding the fire in my throat. Angry tears boil over. I wish for thicker skin, for French that could cut, for some witty Bette Davis-style comebacks: grace with a touch of disdain. Yes, if only I had a sharper tongue! Then these people wouldn’t mistreat me; they’d respect my invisible anti-bullshit forcefield. I feel infantilized, maladjusted, incapable of survival in this world filled with Grade-A assholes.
I speedwalk away, hiccuping pathetic tears, hating myself. The more I walk, though, the more the burning subsides. What am I doing? Is my core this easily swayed by an external force? Why do I need to wait until I’ve become the Perfect Me to be acceptable? No, I’m deserving of respect now, first and foremost from myself, because I can’t count on anyone to fork it over automatically.
One more experience under my belt, one more internal growth spurt. Ready for the next meeting with another manifestation of that unbearable condescension that I despise. Next time, every time, I don’t want to be so quick to minimize myself. There will always be another grating external force. I’m learning that it will sway me only if I allow it to.
A very efficient woman buzzes around me, her motherly gray bangs swaying with every maneuver. “Considering your age, we’re going to perform the scan, as well as an ultrasound.” You’d think she was twittering around the kitchen, baking cookies for her grandkids. Instead, she’s buffing the space-age machine that towers imposingly over us. High technology that cows me into submission. My kaleidoscopic internal world is irrelevant in this sterile, colorless examination room.
I’m standing topless, hands behind my back. A mannequin with foldable, poseable limbs. Expert hands guide the lead apron across my lower body. She manipulates me, tucking my breasts between the plates. The top plate is transparent, and she sends it down with a tap of her foot. My glands, impossibly flat.
No joy, sensuality, life. Still youthful and pert, they haven’t yet known the searching mouth of a suckling baby. They’ve never produced milk, never given life. Under this fluorescent light, they’re no longer fleshly beautiful symbols of my femininity or fertility. Here, they’re just a piece of meat, in a clinical setting. Like a sample in a petri dish, ready for fastidious, detached scientific observation.
Next room, another machine. Doctor enters. Arms up, supine. The ultrasound wand glides over my sore mountains. He stares at the screen, and I twist my neck up to watch along. He pauses at the sight of each furry black cloud. Two clicks measure them. Glide, click-click.
“You have benign cysts. It’s common, one in three women has them. They may get inflamed and sore, so we’ll keep an eye on them. There is nothing cancerous here.”
He wishes me a good-day, and doesn’t even shake my hand. I suppose it’s not medical protocol to shake a patient’s hand after you’ve prodded about and scrutinized the ins and outs of her funbags.
White coattails flap crisply out the door. I scrape the viscous gel off my chest and dress myself. Strange. Just beyond that door, I’m expected to observe a modicum of physical modesty, yet my rainbow voice can come back. Here, I am reticent in my nudity.
Back into the clean, fluorescent lobby, where I melt into a bucket chair. Vacant. Depleted.
The secretary mispronounces my name, and I answer anyway.
I take my charts, and the smile I give her feels awkwardly distorted.
I step out of the cool white clinic and back into the searing, chartreuse summer air. Breathe deep, hiccup. Sweet tears of relief. My weak protest mantra “I’m too young for this” that had marched so defiantly through my head has dissolved, overtaken by my mother’s insistent wisdom: “Check yourself regularly!”
I’m glad I listened.
I step into a baby clothing store on a whim, looking for a gift for a friend who’s just given birth. The shop is cheerful and whimsical, with a fluffy pastel cotton-candy interior. I’m a bit disoriented in this foreign world of cutesy teeny-tiny fashion.
Smelling fresh carrion, two black-clad saleswomen croak “Hello” and descend upon me. They bare their teeth into something resembling a smile.
One of them, an older woman with deep-set eyes, indicates the rack for newborns. I peruse the adorable clothing, realizing a simple onesie costs 55 euros…
I have no time to fake a polite exit before the dark-eyed woman re-materializes in a cloud of heavy perfume and the oppressive stink of 30 years’ worth of cigarettes and red wine. There’s something sinister about this husky-voiced woman with stingy hair and George Washington’s wooden teeth, cooing at me with a saccharine voice.
“How old did you say the baby was?”
“Uhm, about 2 months.”
“So it’s NOT a new baby then!”
“I guess not…”
“Et, c’est dans quel pays?”
My eyes narrow in confusion, and my mouth is parted–I’m breathing discreetly through my mouth.
Quel pays? What country? What kind of trick question is this?
She repeats herself, cartoonishly enunciating “Quel PAYS?” Her gray teeth stand out against the spackle caked on her face; she looks like a 20’s vaudeville clown.
“No, no, no…” Her colleague joins in behind, and they are now both braying at me, in tandem: “Pays, pays, pays…” All that’s missing here is an undead barbershop quartet to complete this ghastly spectacle.
What did I do to gain entry to this hellish dog and pony show?
“The south of France…?”
“Oh, voilà! You know, we only ask because every region’s weather is different, every season is different, which you must keep in mind when shopping…” Her smarmy response disgusts me, and their logic has me stumped. I don’t belong here in this farce. I respond with logic that might speak to them:
“Well, this is a travelling baby. You know, the kind of baby that travels all over France with her parents, so any kind of clothing would be fine… At any rate, thanks very much for your help, have a great day!” I chirp and fly out of the store.
The air outside is heavy and oppressive, offering no relief from the burning that stings the back of my throat. I feel foolish, destabilized, unsettled. Despite their bizarrely condescending behavior, I still suspect the fault lies with me and my insufficient French.
It’s time to retreat home. I’ll buy the gift another day.
My own little slice of hell.
It’s the morning business rush; the 9am-ers position themselves along the platform, discreetly eyeing the competition.
The train wheezes into the station, and all order is lost. Herding themselves in front of the door, they commit the cardinal sin of train travel: Never impede passengers trying to exit. Those poor saps barely escape before the herd lumbers on, in search of fulfilling their primal need to sit down. The tense scuffling of feet, exasperated sighs, desperately roving eyes and sudden acrobatic manoeuvres at the sight of an empty seat… I have to admire the organized chaos.
In summertime, add in oafish commoners with ill-fitting cheap sunglasses who lug too much baggage onboard, along with their cross-eyed hyperactive children. Solo travellers scurry on to find an empty pair of seats, plop down, then protectively seat their hardside luggage next to them. I walk by, and they avoid eye contact.
It’s a 15-minute ride. I think I’ll survive if I stand.
I try to read, but I’m distracted by the flutter of conversation around me. Banal conversation, rehashed. Kids, weather, job. I burrow deeper into my book.
Suddenly I catch a whiff that offends my senses, emanating from the miserable latrine. My nostrils are burning. Good God, have these people no shame? Passive-aggressive territoriality at its lowest. How dare they subject the rest of us to the injustice of smelling their beastly morning constitution? Is this what freedom looks like? Forcing others to suffer the indignity of inhaling their ungodly coffee-fueled evacuation…
We approach our destination, and these bovines elbow discreetly toward the door. Self-important squares need to be the first off the train. Underlying message: “I’m more important than everyone else here.”
Indeed, we are at the center of our respective universes. Every morning at 8:24am, there are a hundred supremely-important universes fighting an imaginary battle for a prime position on the livestock transport line.
The herd shuffles forward, hooves clacking in the urgent rush. A self-herding mass, headed straight for the abattoir.
My heart bays: I don’t belong here.